The Art of Pip McGarry

Pip McGarry counts himself fortunate to have had such a colourful and exciting upbringing. As a youngster he lived for three years in the Far East, with a further two years in Central America. 'Having a father in the army had some exciting dividends for a youngster' says Pip, 'those countries were particularly raw and undeveloped then and we had a very wild and adventurous time, for instance, in Malaya, we played continuously in the jungle and were surrounded by nature'.

Art has always been a factor in the family. Pip's grandfather, who spent many years in India, was a painter of some note and also painted wildlife, which was quite unusual in the 1930s. This family inheritance does not stop at Pip; the well-known international wildlife artist, Matthew Hillier, is Pip's first cousin. 'I am sure our grandfather would have been absolutely delighted that we are both professional wildlife artists' says Pip.

As a purely self-taught artist, he was eventually able to drop one day a week from his full time job, then two, before launching his increasingly successful career as a professional wildlife artist.

In 1999, he camped in Tanzania, studying the habitat and wildlife of the Serengeti and the Ngorongoro crater. The following year, he undertook a study trip to Northern Botswana, camping in the remote wilderness areas of Chobe and Savute. So impressed with the profusion of wildlife there, he is leading a trip for artists and photographers back to Botswana again in September this year.

Pip is a professional wildlife artist who specialises in oils. He has been the Artist-in-Residence at Marwell Zoological Park in Hampshire since January 1999, the first time such a position has existed there. He is also the founder and chairman of the Marwell Art Society and a council member of Marwell Zoological Society, which has in excess of 10,000 members. He is a member of The Wildlife Art Society and a member of the Fine Arts Trade Guild. His paintings have been regularly sold at Christie's and Sotheby's since 1998 and are published by de Montfort Fine Art Ltd.


Wildscape
The Journal of Wildlife Art & Conservation
Vol.1 No.2